Imogene started following the work of Natasha Rivett-Carnac, Bath Spa University, Cultural Studies and Humanities.
Imogene started following the work of Rosi Braidotti, Utrecht University, Humanities.
Imogene started following the work of Sarah Nicolls, Brunel University, Music, Arts.
About
Imogene Newland is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.
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