Can studying Greek tragedy and comedy be a feminist endeavor when the genres were written by men and performed by men for an all-male audience?
Classicists frequently interrogate the authorial voice of the texts they study, but rarely every examine their own authorial voices. I argue in favor of a more personal, self-aware style of academic writing that openl... more abstract
Can studying Greek tragedy and comedy be a feminist endeavor when the genres were written by men and performed by men for an all-male audience?
Classicists frequently interrogate the authorial voice of the texts they study, but rarely every examine their own authorial voices. I argue in favor of a more personal, self-aware style of academic writing that openl... more abstract