- Ivana Pražić earned her BA degree in Art History from the University in Belgrade (Serbia) and her MA degree in the sa... moreIvana Pražić earned her BA degree in Art History from the University in Belgrade (Serbia) and her MA degree in the same field from the Bangalore University (India). She has recently completed her PhD thesis entitled “The Politics of Cheng Ho-Related Piety in Post-New Order Indonesia: Theologies of Emancipation” at the University of Sydney (Australia). Ivana’s research focuses on Indonesia’s democratic modality, the role of religion in Indonesia’s political philosophy, affective politics of Sinophobia, Cheng Ho-named mosques and Sam Po Kong temples and contemporary cultural politics of Chinese Indonesians. Her academic works are published in feminist and queer theory journals/books in Indonesia and Europe. Recently (2015), an article Ivana coauthored with Zitong Qiu of the Ningbo Institute of Technology, Zhejiang University (China), was published in the China Media Report.edit
Research Interests:
Research Interests:
Research Interests:
This book chapter summarises the results of my MA thesis exploring the iconography and the study of the Buddhist art of Gandhara.
"Indelicato approaches the study of international students in Australia as subjects of both educational and migration policies, who have traditionally been depicted as “emotionally distressed subjects” (2). Hers is a Foucauldian quest of... more
"Indelicato approaches the study of international students
in Australia as subjects of both educational and
migration policies, who have traditionally been depicted
as “emotionally distressed subjects” (2). Hers is a Foucauldian
quest of the historical ways in which the feelings
of international students were deployed as a means
to construe them as simultaneously belonging to sovereign
post-colonies while being treated as prospective
national subjects, i.e. migrants, within Australia as their
educational host."
in Australia as subjects of both educational and
migration policies, who have traditionally been depicted
as “emotionally distressed subjects” (2). Hers is a Foucauldian
quest of the historical ways in which the feelings
of international students were deployed as a means
to construe them as simultaneously belonging to sovereign
post-colonies while being treated as prospective
national subjects, i.e. migrants, within Australia as their
educational host."
