- Media Studies, History Of Computing, Cultural Evolution, Cognitive Science of Religion, Cognitive Anthropology, Consciousness, and 47 moreDemoscene, Shamanism, Uralic languages, Uralic Linguistics, Hacker Culture, Ethnomathematics, Hacktivism, Deep Ecology, Permaculture, Parapsychology, Reincarnation, Black Metal Theory, Comparative Philosophy, Western Esotericism (History), Platform Studies, Pythagoreanism, Ifa-Orisa/Orisha Tradition in Africa and the Diaspora, Role of Orisa and Ifa characteristics in the Yoruba cosmlogy, Afa/Ifa Divination System, Odu Ifa, Philosophy of Technology, Ethnophilosophy, Symbolic Anthropology (Anthropology), Symbolic Anthropology, Ethnoscience, African Philosophy, Anthropology of Knowledge, Geomancy, Procedural Rhetoric, I Ching, Indigenous knowledge and Ethnoscience, Chaos Magic, Occulture, Robert Anton Wilson, Art Theory, Aesthetics, Cybercultures, Experimental philosophy, Speculative Realism, Black Metal, New Media Art, Media Art, Experimental Media Arts, New Media Art & Emerging Practices, Game studies, History of Computing (Computer Science), and History of Computer Sciencesedit
Research Interests:
An end of a decade is often regarded as an end of an era. Around the new year 2009-2010, I was thinking a lot about the future of demo art, which I have been involved with since the mid-nineties. The mental processes that led to this... more
An end of a decade is often regarded as an end of an era. Around the new year 2009-2010, I was thinking a lot about the future of demo art, which I have been involved with since the mid-nineties. The mental processes that led to this essay were also inspired by various events of the 2010s, such as the last Breakpoint party ever, as well as Markku Reunanen's licenciate thesis on the demoscene.[1]
One of the articles – that is, elfh/inward's text about the development of the Spectrum demoscene in Russia[2] – was also later partially republished on a new and promising “8-bit” website called 8bittoday.com[3]. Some of the... more
One of the articles – that is, elfh/inward's text about the development of the Spectrum demoscene in Russia[2] – was also later partially republished on a new and promising “8-bit” website called 8bittoday.com[3]. Some of the articles have also been recently quoted in Finnish Ministry of Education study on the current state and future possibilities of new media art in Finland, which, among all, discusses the demoscene as a separate branch of new media art.[9] ... Another related thing that seized my attention in December was Rosa Menkman's summary of Anders “Goto80” ...
Bytebeat on tietokonemusiikin ja kokeellisen ohjelmoinnin muoto, jossa musiikkikappale toteutetaan muutamien kymmenien merkkien pituisena ohjelmointikielen lausekkeena. Artikkeli tarkastelee bytebeat-ilmiön vaiheita ja pyrkii luomaan sen... more
Bytebeat on tietokonemusiikin ja kokeellisen ohjelmoinnin muoto, jossa musiikkikappale toteutetaan muutamien kymmenien merkkien pituisena ohjelmointikielen lausekkeena. Artikkeli tarkastelee bytebeat-ilmiön vaiheita ja pyrkii luomaan sen kautta näkökulmaa siihen, kuinka tekninen kokeellisuus toimii demokulttuurissa.
Research Interests:
An end of a decade is often regarded as an end of an era. Around the new year 2009-2010, I was thinking a lot about the future of demo art, which I have been involved with since the mid-nineties. The mental processes that led to this... more
An end of a decade is often regarded as an end of an era. Around the new year 2009-2010, I was thinking a lot about the future of demo art, which I have been involved with since the mid-nineties. The mental processes that led to this essay were also inspired by various events of the 2010s, such as the last Breakpoint party ever, as well as Markku Reunanen's licenciate thesis on the demoscene.[1]